Willis O Brein – King Kong, Clash Of The Titans
Ray HarryHausen – Inspired by WOB, Dynamation, Gomat ion
Jan Swaninger (Clay) lunch
Phil Tippet –
Robobcop
The frequency at which frames in a
television picture, film, or video sequence are displayed.
There are
three mainframe rate standards 24p, 25p, and 30p.
However,
there are many variations on these as well as newer emerging standards.
24P
25P
30P
48P
50I
60I
50P/60P
72 P
Persistence
of vision, eyebrain, hold onto a series of images to form a single complete
picture.
 
The Lumière brothers,
Auguste and Louis, were sons of well known Lyons based portrait painter
Antoine Lumière. They were both technically minded and excelled in science
subjects and were sent to Technical School.
By early 1895, the
brothers had invented their own device-combining camera with printer and
projector and called it the Cinématographe. Patenting it on February 13th
1895, the Cinématographe was much smaller than Edison’s Kinetograph, was
lightweight (around five kilograms), and was hand cranked. The Lumières used
a film speed of 16 frames per second, much slower compared with Edison’s 48
fps - this meant that less film was used an also the clatter and grinding
associated with Edison’s device was reduced.
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Louis photographed the world around him and
some of his first films were 'actuality' films, like the workers leaving the
factory. The brothers began to open theatres to show their films (which became
known as cinemas). In the first four months of 1896 they had opened
Cinématographe theatres in London, Brussels, Belgium and New York.
In 1907 they produced the first practical colour
photography process, the Autochrome Plate.
Joseph Patuea
William Hatner – Cylinder, images, spin,
imahges blend together
Emile Reynald (Praxinscope) – Animation device
Edward Maybridge
Edison (kinetoscope/)
Lumiiere Brothers
George p
0al
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